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Raised by Wolves centers on "two androids, Father and Mother, tasked with raising human children on Kepler-22b after the Earth was destroyed by a great war. As the burgeoning colony of humans threatens to be torn apart by religious differences, the androids learn that controlling the beliefs of humans is a treacherous and difficult task."[7]

Is this biblical?

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Science fiction is didactic. It’s no secret that the genre attracts those with big ideas they just can’t seem to squeeze into a parochial British village or a Lower East Side apartment. Ursula K. Le Guin and Frank Herbert used the genre to explore environmentalism, Philip K. Dick wrestled with global capitalism in short story after short story, and L. Ron Hubbard built an entire religion on the back of his terrible After Earth series.

No matter their specific hangup, though, every author of the genre seems to follow a concerning pattern. “Look, man,” a friend of mine once told me, “once a sci-fi writer reaches a certain age, all of his books end up being about sex and God.”

Read more:

https://www.theamericanconservative.com/articles/raised-by-didacts/

Science fiction is the modern day fairy tales with biblical tonalities — in the Western world. There was an attempt in the UK to de-moralise the stories such as Blake Seven

Blake's 7 (sometimes styled Blakes7) is a British science fiction television programme produced by the BBC. Four 13-episode series were broadcast on BBC1 between 1978 and 1981. It was created by Terry Nation, who also wrote the first series, produced by David Maloney (series 1–3) and Vere Lorrimer (series 4), and the script editor throughout its run was Chris Boucher, who also wrote nine of its episodes. The main character, at least initially, was Roj Blake, played by Gareth Thomas. The programme was inspired by various fictional media, including Robin Hood, Star Trek, Passage to Marseille, The Dirty Dozen, Brave New World and classic Western stories, as well as real-world political conflicts.

Blake's 7 was often viewed by over 10 million in the UK[1] and it was broadcast in 25 other countries. The series had a low budget but featured many tropes of space opera, such as spaceships, robots, galactic empires and aliens. Critical responses have been varied; some reviewers praised the programme for its dystopian themes, strong characterisation, ambiguous morality and pessimistic tone, as well as displaying an "enormous sense of fun", but others have criticised its production values, dialogue and perceived lack of originality.

Read more:

https://en.wikipedia.org/wiki/Blake%27s_7

But the best one of course is Red Dwarf...

Red Dwarf is a British science fiction comedy franchise created by Rob Grant and Doug Naylor, which primarily consists of a television sitcom that aired on BBC Two between 1988 and 1999, and on Dave since 2009, gaining a cult following.[1] The premise of the series follows the low-ranking technician Dave Lister, who awakens after being in suspended animation for three million years to find he is the last living human, with no crew on board the mining spacecraft Red Dwarf, other than Arnold Rimmer, a hologram of Lister's deceased bunkmate, and Cat, a life form which evolved from Lister's pregnant cat.

As of 2020, the cast includes Chris Barrie as Rimmer, Craig Charles as Lister, Danny John-Jules as Cat, Robert Llewellyn as the sanitation droid Kryten, and Norman Lovett as the ship's computer, Holly.

To date, twelve series of the show have aired (including one miniseries), in addition to a feature-length special The Promised Land. Four novels were published from 1989 to 1996. Two pilot episodes of an American version of the show were produced but never aired. The magazine The Red Dwarf Smegazine was published from 1992 to 1994.

One of the series' highest accolades came in 1994 when an episode from the sixth series, "Gunmen of the Apocalypse", won an International Emmy Award in the Popular Arts category. In the same year, the series was also awarded "Best BBC Comedy Series" at the British Comedy Awards.[2] The series attracted its highest ratings, of more than eight million viewers, during the eighth series in 1999.[3]

The revived series on Dave has consistently delivered some of the highest ratings for non-Public Service Broadcasting commissions in the UK.[4][5][6] Series XI was voted "Best Returning TV Sitcom" and "Comedy of the Year" for 2016 by readers for the British Comedy Guide.[7] In a 2019 ranking by Empire, Red Dwarf came 80th on a list of the 100 best TV shows of all time.[8]

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For the moment, Old Dithering Joe is providing an unfortunate view of fictionalised reality...

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