Monday 12th of October 2026

colonialism has changed its mink coat for journalistic amnesia....

The crisis of media freedom in Kenya is not only about journalists being prevented from speaking. It is also about which stories receive airtime, who controls the platforms, who finances journalism, whose history is preserved and whose voices are allowed to disappear.

For more than 15 years, I have worked as a social-justice radio host at Ghetto Radio 89.5 FM, creating space for communities whose experiences are frequently underrepresented in mainstream media.

The experience has revealed a deeper problem.

Kenya does not only have a crisis of media freedom. It has a crisis of media memory.

There are countless stories of human-rights defenders, victims, survivors, activists, workers, young people, informal-settlement communities and families affected by historical injustices that remain poorly documented, insufficiently broadcast and vulnerable to being forgotten.

This is the missing voice of the 21st century.

1. Fifteen Years Behind the Microphone

For 15 years, the social-justice radio programme became a platform for conversations that conventional media frequently struggled to accommodate.

The programme connected ordinary citizens with human-rights defenders, community organisers, researchers, victims and institutions.

It demonstrated the power of radio to turn private suffering into public dialogue.

But sustaining such journalism is difficult.

Public-interest broadcasting does not always generate the advertising revenue required to keep programmes alive. Human-interest stories may be socially valuable while remaining commercially unattractive.

This creates a dangerous contradiction:

The stories that society most needs to hear are sometimes the stories that the market is least willing to finance.

2. Intimidation Through Economics

Media silencing does not always take the form of a government order closing a station.

It can also operate through economic structures.

When social-justice programmes cannot secure sustainable funding, their independence and continuity become vulnerable.

When journalists cannot secure institutional protection, their ability to pursue difficult stories becomes constrained.

When public-interest programmes disappear because they are considered financially unsustainable, communities lose platforms through which they can speak.

This is why the political economy of media matters.

The ownership and financing of media can influence which issues receive sustained attention and which remain at the margins.

The concern is not to claim that every media owner intentionally suppresses particular histories. The deeper issue is that commercial and institutional priorities can systematically leave some communities and histories underrepresented.

3. Where Are the Human-Rights Budgets for Airtime?

There is another contradiction within the human-rights sector.

Civil-society organisations invest in research, reports, conferences, campaigns and advocacy.

But how much of those budgets reaches the journalists and community media platforms that make human-rights issues accessible to ordinary citizens?

Human-interest airtime should be considered part of human-rights infrastructure.

A powerful report sitting on a website cannot substitute for a conversation with the community affected by the issue.

A conference cannot substitute for sustained public dialogue.

A policy paper cannot replace the testimony of the victim whose experience produced the policy question.

Human-rights organisations, donors and foundations should therefore consider dedicated funding for:

  • Social-justice radio programmes
  • Community journalism
  • Human-interest airtime
  • Oral-history projects
  • Investigative journalism
  • Digital archives
  • Journalist protection
  • Community storytelling
  • Translation and preservation of local histories
  • Public education through radio and podcasts

4. The Personal Cost of Social-Justice Journalism

The work has also carried personal risks.

As a human-rights host dealing with sensitive subjects, I experienced security concerns connected to the nature of my work.

Such risks are often invisible to audiences.

Listeners hear the presenter asking questions on air. They do not necessarily see the consequences that can follow when a journalist creates a platform for people challenging powerful interests.

The protection of journalists must therefore include more than physical security.

It should include legal assistance, digital security, institutional protection, professional solidarity and mechanisms for responding to threats and intimidation.

5. Dismissal and the Disappearance of Institutional Memory

My eventual dismissal under what was described as salary redundancy represents another dimension of the problem.

For a journalist who has spent years developing relationships with communities and building a public-interest programme, employment is not merely a salary.

It is also an institutional platform for public memory.

When that platform disappears, years of relationships, interviews, community knowledge and historical conversations can also become fragmented.

The question therefore becomes:

Who preserves the public-interest journalism produced by one generation for the next generation?

That question leads directly to the idea of the Library Broadcaster.

6. The Library Broadcaster

The Library Broadcaster is an alternative model for preserving and amplifying social histories that are inadequately represented in conventional media.

It combines:

Broadcasting + Oral History + Digital Archives + Community Journalism + Social Research + Human-Rights Education

Instead of allowing important conversations to disappear after they are broadcast, the Library Broadcaster would preserve them as part of a growing public archive.

The programme would record conversations with:

  • Human-rights defenders
  • Victims and survivors
  • Community organisers
  • Journalists
  • Artists and cultural workers
  • Researchers
  • Former political detainees and witnesses, where appropriate and safely documented
  • Workers and informal-sector communities
  • Young people
  • Women and marginalised communities
  • Families affected by historical injustices
  • Communities experiencing displacement and land injustice

The objective would not simply be to produce programmes.

It would be to build an accessible people’s archive.

7. From the Media of the Moment to the Media of Memory

Traditional broadcasting often operates on a daily news cycle.

Today’s story becomes tomorrow’s forgotten story.

The Library Broadcaster would work differently.

It would ask:

What should future generations be able to hear from us?

Every interview becomes potentially part of an archive.

Every testimony becomes a historical record.

Every community conversation becomes part of a larger national memory.

Every social-justice programme becomes a resource for researchers, educators, journalists and communities.

This changes broadcasting from a temporary information service into a form of social memory infrastructure.

8. Reclaiming Silenced Histories

Kenya’s history contains many unresolved questions around land, inequality, political violence, displacement, labour, colonialism, state power, ethnic tensions, poverty and human-rights violations.

The Library Broadcaster would create a space where these issues can be documented through the experiences of the people who lived them.

This is not about replacing professional journalism or academic research.

It is about adding something often missing:

the voice of the ordinary person.

History should not only be written by institutions.

It should also be remembered through the voices of communities.

9. A 21st-Century Public-Interest Media Model

The Library Broadcaster can operate across several platforms:

Radio — long-form conversations and community programmes.

Podcasting — preservation and global accessibility.

Digital archive — searchable interviews, testimonies and historical materials.

Community journalism — training citizens to document their own communities.

Research — transforming oral histories into resources for researchers and institutions.

Education — creating materials for schools, universities and civic-education programmes.

Public forums — bringing archived stories back into communities for discussion and reflection.

This creates a cycle:

Community → Story → Broadcast → Archive → Research → Education → Community

10. From Victimhood to Historical Agency

The Library Broadcaster should not portray communities only as victims.

Communities are also historians.

They are researchers.

They are witnesses.

They are organisers.

They are survivors.

They are creators of knowledge.

Their experiences can help society understand how historical injustices were produced, how communities responded and what lessons can be carried into the future.

This is particularly important for young people.

The generation growing up in the 21st century should not inherit only fragments of its history through social media.

It should have access to authentic voices from previous generations.

11. The Library Broadcaster as a Democratic Institution

The Library Broadcaster can become more than a media project.

It can become a community knowledge institution.

Its mission would be simple:

“To document, preserve and amplify voices that risk being forgotten, while creating a public archive for future generations.”

Its independence would be protected through diversified funding rather than dependence on one donor, advertiser or political institution.

Potential partners could include universities, libraries, museums, responsible media organisations, foundations, human-rights organisations, community organisations and individual supporters.

But editorial independence must remain central.

12. The Unfinished Journey

My 15 years in social-justice broadcasting have not ended with leaving the radio studio.

They have raised a larger question:

What happens to all the stories we collected?

Where do they go?

Who preserves them?

Who listens to them ten, twenty or fifty years from now?

The answer cannot simply be another radio programme.

We need an institution capable of preserving the collective memory of communities.

That is the purpose of the Library Broadcaster.

It is a continuation of the microphone—but also an evolution beyond the microphone.

From broadcasting to archiving.

From reporting to remembering.

From listeners to participants.

From individual stories to collective memory.

From the media of today to the historical library of tomorrow.

Conclusion: The Missing Voice

The missing voice of the 21st century is not necessarily the absence of people speaking.

Millions of people speak every day.

The problem is whether their voices are heard, documented, preserved and remembered.

My experience in social-justice broadcasting has shown me that the struggle for media freedom must also become a struggle for media memory.

The Library Broadcaster is an attempt to answer that challenge.

It seeks to create a home for stories that commercial media cannot sustain, human-rights organisations cannot always finance, and history books may never capture.

The microphone gave communities a voice.

The library can give that voice a future.

The Vision

A people’s library of voices.

A broadcaster of forgotten histories.

An archive of social justice.

A platform for human dignity.

A memory institution for the 21st century.

The stories must not disappear.

https://mronline.org/2026/10/10/peoples-media-under-imperialism-capture-in-kenya-from-social-justice-radio-to-the-library-broadcaster/

 

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Nairobi, Kenya – A five-day visit to Kenya by Britain’s King Charles III is unearthing memories of atrocities committed during the six-decade colonisation of the East African country.

According to the Kenya Human Rights Commission (KHRC),  the colonial administration masterminded the extrajudicial torture and killings of 90,000 Kenyans during that period.

.....

 

“The British government should consider a reparative development programme which provides special materials support for the people and regions that continue to suffer the long-term and emerging effects of colonial policies and current investments by British corporates and citizens,” he said.

It remains to be seen whether Charles will eventually tender an apology or further reparations during his stay. But as he walked through the relics of Britain’s colonial past in Kenya on Tuesday, a re-evaluation of colonial atrocities was happening simultaneously in neighbouring Tanzania.

German President Frank-Walter Steinmeier said in Dar es Salaam that his country was willing to cooperate with Tanzania, which it colonised from 1885 to 1918 on “repatriation of cultural property and human remains”.

While there was also no apology for the death of thousands of people during the Maji Maji rebellion (1905 to 1907), Steinmeier said the time had come to review a “dark’ legacy”, “so that we can see how to turn a new page.”

https://www.aljazeera.com/features/2023/11/1/king-charless-visit-to-kenya-unearths-memories-of-unresolved-injustices

 

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